Course work: Four 45-second gesture drawings.
A ten-minute sketch of a seated figure. I surmised long ago that I do not work well under pressure of time, and my work in this section seems to confirm that observation.
Reading:
Richard Osborne & Dan Sturgis Art Theory for Beginners
For Beginners LLC, Danbury, CT, USA, 2006
Pp 1-36
Personal sketchbook work: A continuous-line blind contour drawing of a reproduction of the Willendorf Venus (a frequent because convenient subject) accompanied by a conventional sketch of the same.
Total time: 1 hour 5 minutes
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