Thursday, March 17, 2011

Thursday 17 March 2011




Course work: Did the first Project One drawing, in just over the suggested two hours, on ~A3 paper, with charcoal.





Reading and theoretical studies:



Stuart Preston Vuillard

Thames and Hudson, London, 1985

Pp. 7-32



Sketchbook work: Another little sketch over a random collection of brush strokes, this one “Elvis as Laocoön.”





Time today: 2 hours 48 minutes

Wednesday, March 16, 2011

Wednesday 16 March 2011





Course work: More preliminary sketches for the Project One Drawings.







Reading and theoretical studies:



E.H. Gombrich, The Story of Art

Phaidon Press Limited, Oxford 1978

Pp. 360-394



Sketchbook work: A charcoal sketch of the pond in morning fog.







Time today: 1 hour 55 minutes

Wednesday, March 9, 2011

Wednesday 9 March 2011





Course work: Did four preliminary sketches, trying out viewpoints and looking at lighting prior to starting the Project One Drawings.











Reading and theoretical studies:



E.H. Gombrich, The Story of Art

Phaidon Press Limited, Oxford 1978

Pp. 342-359



Time today: 1 hour 41 minutes (5h28m)

Tuesday, March 8, 2011

Tuesday 8 March 2011




Reading and theoretical studies:



Butler, Christopher Postmodernism

Oxford University Press, Oxford, 2002

Pp. 37-66



Time today: 47 minutes

Monday, March 7, 2011

PAINTING ONE: STARTING TO PAINT

Assignment Three
5: Extending the View



Monday 7 March 2011




Spent over three hours collecting pictures of interiors looking from one room to another, out a window or door, or from a dark area to a light one.



Time today: 3 hours
Monday 7 March 2011




Course work: Continued work on the plant painting, today correcting errors and adding little details and some semi-random brush strokes. I think that I am about finished. Looking back at my preliminary drawing and color study, I see that the painting has become more complex than either: in part this was because the earlier work was done on overcast days, but the shadowing was added on a very bright day. I also added a leaf or two to the plant in order to make it the dominant player, and took some liberties with color and texture where I thought they were needed. I think that I am ready to proceed to Assignment Three.











Sanseveria 30 x 60 cm

Time today: 46 minutes



Total time for Assignment Two: 123 hours 51 minutes

Sunday, March 6, 2011

Sunday 6 March 2011




Course work: Work on Project Three, Painting a Plant, continues.



Reading and theoretical studies:



Albert Kostenevitch The Nabis

Parkstone Press International, New York, 2009

Pp. 174-195

(This book has a great deal to recommend it. It deals not only with Bonnard and Vuillard, but with the less-well-known Valloton, Roussel, and Denis. Illustrations are generous in number, all are in color, most are full-page, and many are less-familiar works from Russian museums and private collections. Negatives would include a somewhat choppy and disorganized text, far too many illustrations remote from their discussions, and far too many works described in some detail but not illustrated (30% in the Bonnard section, for example). With these caveats, I would still recommend this book to the student interested in the Nabis: just looking though the large illustrations provides pleasure enough to justify the book’s quite reasonable price in the on-line used-book stores. The diversity of painting styles demonstrated leads one to wonder if the Nabis would be better considered as a group of friends rather than a coherent art movement, although an interest in color effects and influence by Japanese woodcuts is expressed in the works of each to a greater or lesser extent.)



Sketchbook work: The thought came to me when I was half-awake that it would be interesting to see how many ways I could find to arrange three circles, leading to this sketchbook page. One inversion crept in by error, but I think that the rest are all different. I followed this with a study after Matisse’s The Green Blouse, using markers to emulate the dark outlines and fairly flat colors (the Japanese influence). There are some drawing errors, and my colors are not true, as my marker collection is extremely limited, but I gained some insight into the distortion of perspective, the flat picture plane, and the symbolic and frequently unidentifiable decorative shapes that Matisse so frequently employed. The distorted facial features almost seem to presage Picasso. Overall, this was a useful exercise.











Weekly reflections on learning experience: Three days with the house filled with workmen and with no heat or water severely affected my efforts this week (and will probably do so next week as well). I was able to spend some of the lost time considering what further I needed to do to the Project Three painting, and beginning to think a bit about Assignment Three, and this proved to be a worthwhile activity.



Time today: 2 hours 6 minutes