Sunday, March 14, 2010

Sunday 14 March 2010




Reading:



Rose-Marie & Ranier Hagen What Great Paintings Say (Vol. 1)

Taschen, Köln, 2005

Pp 50-67



Total time: 29 min

Saturday, March 13, 2010

Saturday 13 March 2010




Reading:



Rose-Marie & Ranier Hagen What Great Paintings Say (Vol. 1)

Taschen, Köln, 2005

Pp 32-49



Total time: 35 min

Friday, March 12, 2010

Friday 12 March 2010




Reading:



Rose-Marie & Ranier Hagen What Great Paintings Say (Vol. 1)

Taschen, Köln, 2005

Pp 8-31



Total time: 40 min

Thursday, March 11, 2010

Thursday 11 March 2010




Reading:



Gemma Guasch and Josep Asunción Space

Barron’s Educational Series, Inc, Hauppage, New York, USA, 2005

Pp 84-151

(This book seems to me to be more useful than the two earlier volumes in the same series. It deals with composition and development of the illusion of space. As in the earlier volumes, the illustrations are more valuable than the somewhat rudimentary text: the latter is occasionally compromised by less-than-optimal translation from Spanish, or by what strike me as excessively florid flights of fancy. Nevertheless, I think this is a worthwhile book.)



Total time: 36 min

Wednesday, March 10, 2010

Wednesday 10 March 2010




Reading:



Gemma Guasch and Josep Asunción Space

Barron’s Educational Series, Inc, Hauppage, New York, USA, 2005

Pp 50-83



Total time: 24 min

Monday, March 8, 2010

Monday 8 March 2010




A hospital-acquired infection has kept me very ill for the past several days. Drawing still isn’t possible, but at least I can now read a bit.



Reading:



Gemma Guasch and Josep Asunción Space

Barron’s Educational Series, Inc, Hauppage, New York, USA, 2005

Pp 7-49



Total time: 26 min

Wednesday, March 3, 2010

Wednesday 3 March 2010




Home from hospital. Still not quite ready for the drawing board, but at least I can read.



Reading:



Gita May Elisabeth Vigée Le Brun

Yale University Press, New Haven Conn., USA, 2005

Pp 1-203 (This book concerns itself more with the artist’s travels and acquaintances, and with the political situation of the times, that with her paintings. The book could have benefited from a substantially larger number of color plates. Inexplicably omitted from discussion or reproduction is the Portrait of Countess Golovine, in my opinion one of the artist’s finer works, and one of the more sympathetic portraits painted by any artist.)



Total time: 3 hours 27 minutes