Thursday, March 31, 2011

Thursday 31 March 2011



Course work: Started the Project Two painting, working on 46x61 cm paper.



Reading and theoretical studies:



Sarah Simblett The Drawing Book

Dorling Kindersley, London, 2004

Pp. 174-195





Sketchbook work: In further preparation for the Project Two painting, I did a sketch of tangled bedclothes, having decided an unmade bed was more interesting than a made one.


Wednesday, March 30, 2011

Wednesday 30 March 2011



Course work: Finished the fourth Project One Drawing. This one went a bit more quickly than the first.  The perspective was a little better, and the line that really wanders off still looks “right”

to my eye.



   





Reading and theoretical studies:



Leonhard Emmerling Pollock

Taschen, Köln, 2006

Pp. 6-34



Sketchbook work: A few little detail studies to help me resolve issues with the larger drawing for Project One.



Tuesday, March 29, 2011

Tuesday 29 March 2011



Course work: Started work on the fourth Project One drawing.



Reading and theoretical studies:



Stuart Preston Vuillard

Thames and Hudson, London, 1985

Pp. 96-127

(A readable overview, with a large number of full-page color plates that enable one to more adequately appreciate the artist’s work than would be possible with smaller images.  Although I personally do not find much of Vuillard’s work appealing, his importance in the development of modern art is undeniable.)

Monday, March 28, 2011

Monday 28 March 2011



Reading and theoretical studies:



Matthew Collings This is Modern Art

Weidenfeld and Nicholson, London, 1999

Pp. 43-72



Sketchbook work: A little cartoon strip that summarizes the last several days.


Sunday, March 27, 2011

Sunday 27 March 2011



Reading and theoretical studies:



Stuart Preston Vuillard

Thames and Hudson, London, 1985

Pp. 64-95

Saturday, March 26, 2011

Saturday 26 March 2011



Reading and theoretical studies:



E.H. Gombrich, The Story of Art

Phaidon Press Limited, Oxford 1978

Pp. 425-490

(This completes my third reading of this excellent volume on art history: one could read a chapter a week on a continuing basis, year in and year out, with benefit).


Tuesday, March 22, 2011

Tuesday 22 March 2011





Reading and theoretical studies:



Butler, Christopher Postmodernism

Oxford University Press, Oxford, 2002

Pp. 67-89



Sketchbook work: A quick outline sketch of the plumpest of our cats.




Monday, March 21, 2011

Monday 21 March 2011



Course work: Completed the third Project One drawing.  This one I liked, and it will almost certainly be one of my paintings.













 Reading and theoretical studies:

Stuart Preston Vuillard

Thames and Hudson, London, 1985

Pp. 33-63


Sunday, March 20, 2011

Sunday 20 March 2011




Course work: Started the third of the Project One drawings.



Reading and theoretical studies:



E.H. Gombrich, The Story of Art

Phaidon Press Limited, Oxford 1978

Pp. 395-424



Sketchbook work: A drapery study in charcoal.







Weekly reflections on learning experience: With the builders finally gone, the last part of the week was fairly productive. I am refamiliarizing myself with charcoal techniques, and with the use of workable fixative. Perspective needs more work. Reading and theoretical studies are fair.



Time today: 1 hour 56 minutes

Friday, March 18, 2011

Friday 18 March 2011




Course work: Did the second drawing for Project One. A problem with these drawings is that one must not only find a good vantage point with room for a sketching easel, but must look ahead and consider whether there will be space for the larger and far messier acrylic setup, so hazardous to carpets, furniture, and domestic tranquility.












A perspective check showed rather unsatisfactory construction; this was a difficult subject.



Reading and theoretical studies:



Matthew Collings This is Modern Art

Weidenfeld and Nicholson, London, 1999

Pp. 8-42



Sketchbook work: A sketch of the mule-drawn plow used by my father and grandfather.







Time today: 3 hours 52 minutes (14h3m)

Thursday, March 17, 2011

Thursday 17 March 2011




Course work: Did the first Project One drawing, in just over the suggested two hours, on ~A3 paper, with charcoal.





Reading and theoretical studies:



Stuart Preston Vuillard

Thames and Hudson, London, 1985

Pp. 7-32



Sketchbook work: Another little sketch over a random collection of brush strokes, this one “Elvis as Laocoön.”





Time today: 2 hours 48 minutes

Wednesday, March 16, 2011

Wednesday 16 March 2011





Course work: More preliminary sketches for the Project One Drawings.







Reading and theoretical studies:



E.H. Gombrich, The Story of Art

Phaidon Press Limited, Oxford 1978

Pp. 360-394



Sketchbook work: A charcoal sketch of the pond in morning fog.







Time today: 1 hour 55 minutes

Wednesday, March 9, 2011

Wednesday 9 March 2011





Course work: Did four preliminary sketches, trying out viewpoints and looking at lighting prior to starting the Project One Drawings.











Reading and theoretical studies:



E.H. Gombrich, The Story of Art

Phaidon Press Limited, Oxford 1978

Pp. 342-359



Time today: 1 hour 41 minutes (5h28m)

Tuesday, March 8, 2011

Tuesday 8 March 2011




Reading and theoretical studies:



Butler, Christopher Postmodernism

Oxford University Press, Oxford, 2002

Pp. 37-66



Time today: 47 minutes

Monday, March 7, 2011

PAINTING ONE: STARTING TO PAINT

Assignment Three
5: Extending the View



Monday 7 March 2011




Spent over three hours collecting pictures of interiors looking from one room to another, out a window or door, or from a dark area to a light one.



Time today: 3 hours
Monday 7 March 2011




Course work: Continued work on the plant painting, today correcting errors and adding little details and some semi-random brush strokes. I think that I am about finished. Looking back at my preliminary drawing and color study, I see that the painting has become more complex than either: in part this was because the earlier work was done on overcast days, but the shadowing was added on a very bright day. I also added a leaf or two to the plant in order to make it the dominant player, and took some liberties with color and texture where I thought they were needed. I think that I am ready to proceed to Assignment Three.











Sanseveria 30 x 60 cm

Time today: 46 minutes



Total time for Assignment Two: 123 hours 51 minutes

Sunday, March 6, 2011

Sunday 6 March 2011




Course work: Work on Project Three, Painting a Plant, continues.



Reading and theoretical studies:



Albert Kostenevitch The Nabis

Parkstone Press International, New York, 2009

Pp. 174-195

(This book has a great deal to recommend it. It deals not only with Bonnard and Vuillard, but with the less-well-known Valloton, Roussel, and Denis. Illustrations are generous in number, all are in color, most are full-page, and many are less-familiar works from Russian museums and private collections. Negatives would include a somewhat choppy and disorganized text, far too many illustrations remote from their discussions, and far too many works described in some detail but not illustrated (30% in the Bonnard section, for example). With these caveats, I would still recommend this book to the student interested in the Nabis: just looking though the large illustrations provides pleasure enough to justify the book’s quite reasonable price in the on-line used-book stores. The diversity of painting styles demonstrated leads one to wonder if the Nabis would be better considered as a group of friends rather than a coherent art movement, although an interest in color effects and influence by Japanese woodcuts is expressed in the works of each to a greater or lesser extent.)



Sketchbook work: The thought came to me when I was half-awake that it would be interesting to see how many ways I could find to arrange three circles, leading to this sketchbook page. One inversion crept in by error, but I think that the rest are all different. I followed this with a study after Matisse’s The Green Blouse, using markers to emulate the dark outlines and fairly flat colors (the Japanese influence). There are some drawing errors, and my colors are not true, as my marker collection is extremely limited, but I gained some insight into the distortion of perspective, the flat picture plane, and the symbolic and frequently unidentifiable decorative shapes that Matisse so frequently employed. The distorted facial features almost seem to presage Picasso. Overall, this was a useful exercise.











Weekly reflections on learning experience: Three days with the house filled with workmen and with no heat or water severely affected my efforts this week (and will probably do so next week as well). I was able to spend some of the lost time considering what further I needed to do to the Project Three painting, and beginning to think a bit about Assignment Three, and this proved to be a worthwhile activity.



Time today: 2 hours 6 minutes

Saturday, March 5, 2011

Saturday 5 March 2011





Course work: A good bit more work on the plant painting for Project Three.



Reading and theoretical studies:



Albert Kostenevitch The Nabis

Parkstone Press International, New York, 2009

Pp. 149-173



Sketchbook work: Another interesting experiment in developing an image from a collection of random brushstrokes: this one seems to be a combination of an Oriental mask, a coelacanth, and a nightmare.











Time today: 2 hours 42 minutes

Thursday, March 3, 2011

Thursday 3 March 2011





Reading and theoretical studies:



Albert Kostenevitch The Nabis

Parkstone Press International, New York, 2009

Pp. 120-148



Time today: 26 minutes

Wednesday, March 2, 2011

Wednesday 2 March 2011




Course work: (Unable to paint today…water supply off for major house repairs.)



Reading and theoretical studies:



Butler, Christopher Postmodernism

Oxford University Press, Oxford, 2002

Pp. 22-36



Sketchbook work: A sketch of two workmen tearing out part of a floor and an entire wall to repair termite damage.







Time today: 49 minutes